Brandon A. Dalmer (b.1984) is currently a MFA Painting and Drawing candidate at Concordia University (Montreal). He has participated in a number of residencies and exhibitions across Canada and internationally. His recent exhibitions include: Art Mûr (2020), This Month Only (2018), Ed Video (2018), and Latitude 53 (2017). Dalmer has been involved in a number of artist-run organizations and curatorial projects aimed at the incubation of emerging artists; most recently the Roundtable Residency (Toronto) and Wreck City (Calgary). He is also part of the analog/digital installation duo VIDEOMANCY.
His work explores the way images are created and the relationship humans have to expanding technologies. Through research and process-based work, his practice aims to contextualize humanity's future through machine learning, generative processes and robotic assistance.
Brandon A. Dalmer (b.1984 - Canada) works with painting, installation and video. His practice explores the way images are made through machine processes and techniques associated with rapid prototyping, generating images highlighting the ongoing relationship humans have with expanding technologies. By converting analog information to digital, humans are able to interact with this data at a faster rate; however this translation has its limitations. What is lost through this process? Can any of this information be reclaimed by converting the digital into the physical? What effect do these artificial aesthetics have on our perception over time?
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36" X 48" | Digital File on Polygon